Sunday, September 25, 2011

The Chocolate Cabinet by Geneen Roth


The Chocolate Cabinet
by Geneen Roth

A mother of an 8-year-old was desperate. "My daughter is gaining weight by the second," she told me. "I am so afraid that I have passed on my troubles with food to her, and I don't know whether to remove all candy from the house, take her to a doctor, or put her on a strict diet. Help!"

"What is your daughter's favorite food?" I asked.

"Chocolate," she said.

"Does high cholesterol, high blood pressure, or diabetes run in your family?"

"No," she said.

"Is your daughter's health good?"

"Yes."

Desperation calls for radical measures, so I said, "On your way home, stop at the store and buy enough chocolate to fill an entire kitchen cabinet. In your kitchen, designate one cabinet The Chocolate Cabinet and fill it to overflowing with the chocolate you bought. Now, tell your daughter that this is hers and hers alone. Tell her that she can eat as much of it as she wants and that you will fill it back up when the cabinet gets even a tiny bit empty. Do not criticize her. Do not watch her with hawk eyes. And make sure that cabinet is brimming with chocolate. Wait three weeks, and then let me know what happens."

She looked at me in disbelief. "Have you lost your mind? If I give Gracie free rein over chocolate, she will devour every single piece before I can get to the store and buy more. She will gain a million pounds. I will create a monster!"

"Try it," I said. "Let's see what happens."

Fast-forward three weeks. The desperate mother says, "When I first told Gracie about the new plan, she didn't believe me. She waited until I left the kitchen, and then she plowed through the contents of her cabinet before I could change my mind. I filled up that cabinet four times that first week (with gritted teeth, I admit). But when Gracie realized I was not going to criticize her and that I was absolutely serious about letting her have as much as she wanted, she ate less and less. By the second week, I only had to buy a little chocolate, and by the third week, none at all. She is more relaxed around food. She is losing weight. I am a chocolate-cabinet convert!"

Does this story (it's true, by the way) make you excited? Slightly hysterical? Have you come up with 25 reasons why this wouldn't work at your house? You are not alone.

However, while some of your reasons may be based on fact, most of them are about your own relationship to food and hunger and abundance, not your children's. And here's the litmus test: Ask yourself what would happen if you filled one cabinet with food you wanted but believed you're not supposed to have. What would happen if you let yourself eat it without criticizing yourself? I can't swear to this, but I bet you have (at least) 25 reasons why that wouldn't work.

It's not about the food. Although the chocolate-cabinet idea was radical, I was almost positive that what Gracie wanted wasn't candy. She wanted her mother's (positive) attention. She wanted her mother to trust her. But mostly, she wanted to believe in and trust herself, and only way she could do that was by first learning those skills from her mother. The drama around food and weight gain was the language that Gracie was using to communicate with her mother. The real issue is never the food.

My mother was a fat kid whose own mother took her shopping in the Chubby section of Macy's. Growing up, my mother felt self-conscious, ashamed of her body around boys, clothes, socializing. Because she loved me and didn't want me to suffer the way she had, when I was a kid she began watching what I ate, restricting certain foods from my diet, telling me I was getting fat.

How did the hawk-eye, restrictive approach work?

Not so well. In response, I began hiding frozen Milky Ways in my pajama pants, sprinting past my parents' room and sitting over the trash can in my room eating the candy bars as fast as I could, ready to spit them out if my mother opened the door and caught me. I began feeling as if I needed to look a certain way for her to love me, eat certain foods for her to approve of me. And so I began living (and eating) a double life: When I was in front of her, I'd eat cottage cheese and chicken without skin. When I was out of her sight, I'd stuff myself with everything I wasn't allowed to eat in her presence. Food became the language of our relationship. And although, as my brother often points out, I've made a career from the dysfunction that resulted, I would not recommend this path to anyone.

When I hold my online workshops, mothers from all over the world ask me questions about food and their children. Mothers from Montana and New Jersey, Thailand and Brazil all have the same concerns. They all love their children and don't want to pass on their pain to their daughters (or sons); some of them have children who are already showing signs of starving themselves or stuffing themselves. They all want to know: How do I best love my child when it comes to food? What will help her the most? 

I tell them, "Attend to your own relationship with food first." Be honest with yourself about what you actually believe. Do you believe you can't trust your hunger? That if you really let yourself eat what you want, you'd start at one end of your kitchen and chomp your way across the country? Do you believe there is an abundance of what you need, want, love? 

After you begin exploring your own relationship with food, be mindful about what you communicate to your children. Deprivation, force, and shame do not ever, under any circumstances, lead to positive change. If you judge your children, if you create a moral standard about body size, if you withhold approval based on what they weigh, nothing good will come of it. They will begin judging their bodies, hiding their food, and defining their worth by what they weigh. 

And ask yourself this question: If you could fill a cabinet with anything -- food, attention, time -- what would it be? Chances are, it won't be chocolate. Commit to being lavish with yourself with what you really need. As you do that, you will become a living example of self-care and trust and love. You will be who you want your children to become. Believe me, they'll notice.

Geneen Roth has authored many books:

Lost and Found: Unexpected Revelations About Food and Money

Women Food and God: An Unexpected Path to Almost Everything

When Food Is Love

The Craggy Hole in My Heart and the Cat Who Fixed It

Breaking Free from Emotional Eating

Feeding the Hungry Heart

When You Eat at the Refrigerator, Pull Up a Chair

Appetites — On the Search for True Nourishment

Why Weight? A Guide to Ending Compulsive Eating

Sunday, September 18, 2011

Mojo Monday ~ The Dressing Room Project




Need a little pick-me-up today? Feeling a bit down on yourself? Has the critical monster in your head been picking away at your self-esteem when you look in the mirror?

Well it is time to pick yourself up. It is time to start feeling good about yourself. And it is way over time to banish that critical monster in your head to a closet where you will lock it in and throw away the key!

How does one accomplish this? Well a first step is to look around for some inspiration and some feel good messages! A perfect place to find just that is by visiting the web site for The Dressing Room Project.

This is how the project describes itself on it's web site:

"The Dressing Room Project is a girl-powered rebellion to free girls & women from the bonds of media-imposed standards of beauty! We’re posting our girl-designed cards on mirrors in women’s dressing rooms everywhere to help girls & women feel more comfortable in our uniquely beautiful bodies."

The story behind the project:
The Dressing Room Project is the brainchild of Mimi Kates, founder and director of Emerging Women Projects (EWP), a non profit organization for teen girls' empowerment. Girls in the program were getting angry about mainstream media's portrayal of women. These unrealistic ideals contribute to the prevalence of negative self-image, eating disorders and other unhealthy behaviors in girls and women. They decided to take positive action and launched this social change initiative in the year 2000.

What began as a small grassroots project has now grown to include thousands nationally who participate through posting their cards in stores and starting DRP Action Teams to promote the movement.  They  have over 200 Action Teams in the USA, Canada, Mexico, Ireland, United Kingdom, West Africa and Australia. 


Above are more samples of the cards youth have created as part of the project.  You can download the cards so that you can print them at home. Click here for the page where the link is available. They are perfect for taping on your mirrors, public mirrors and in dressing rooms.

You may also submit your own design! Use a 3 x 5 card and either mail it to The Dressing Room Project or scan it (at 300 dpi) and send it via email.  Please include your name, age and state (or country if not USA.)

If you visit the site be sure to take a look at the Resource page that is called "Sisters In Beauty Rebellion." They also have a fun collection of shirts, buttons, caps, tote bags and more in the on-line Goodies Page.

Design your own dressing room card right now.  What images are you including...stars, moons, hearts, sacred hearts, flowers, spirals, rainbows....??? 

What does it say?


For extra cosmic bonus points share a link to your design.  

For even more extra cosmic bonus points send your design onto the Dressing Room Project.

Tuesday, September 13, 2011

Thriving In Spite of Adversity


The most recent article I wrote for my column called We Are All Meant to Shine! in Cosmic Cowgirls Magazine is called Thriving In Spite of Adversity.

This particular article is about former foster youths Ashley Rhodes-Courter and Derek Clark.  Both of them are such an inspiration.  They are modeling for all of us, that even if difficult, challenging or tragic events occur in our lives, we don’t have to define our lives by those events. We get to choose the direction of our lives, based on the present, not on the past and we get to choose how we respond to what life throws in our direction.

Come read more by clicking here.

Mojo Monday ~ A Friendship Quiz


Friendship Quiz as seen here.

You don't actually have to take the quiz. Just read straight through, and you'll get the point.

1) Name the five wealthiest people in the world.
2) Name the top five news stories five years ago.
3) Name ten presidents or leaders of the biggest countries in the world.
4) Name ten people who have won the Nobel or Pulitzer Prize.
5) Name the last half dozen Academy Award winners for best actor or actress.
6) Name the last decade's worth of World Series winners.


How did you do? The point is, none of us remember the headliners of yesterday. These are no second-rate achievers. They are the best in their fields. But the applause dies. Awards tarnish. Achievements are forgotten. Accolades and certificates are buried with their owners.

Here's another quiz. See how you do on this one:
1) List a few teachers who aided your journey through school.
2) Name three friends who have helped you through a difficult time.
3) Name five people who have taught you something worthwhile.
4) Think of a few people who have made you feel, appreciated and special.
5) Think of five people you enjoy spending time with.
6) Name half a dozen heroes whose stories have inspired you.


Easier? The people who make a difference in your life are not the most powerful ones, nor have the most money or awards. They are the ones that care.

For your enjoyment a video of Carole King and James Taylor singing You've Got A Friend:


Sunday, September 4, 2011

Mojo Monday ~ VoluptuArt

"Every object, every being, is a jar full of delight. 
Be a connoisseur." 
~ Rumi

Do you have any favorite web stores?  Have you found some that are more than just stores, rather they are places where you can browse for inspiration, perhaps for a few giggles and for that ever important visual stimulation that actually delights your soul?

I have a few favorite web sites that represent what I would create if I was going to open up my own virtual gift shop.  One that tops the list is called VoluptuArt.  If you have never experienced this treasure trove, than you are in for a super duper treat (picture a large ice cream sundae with all the trimmings.)

VoluptuArt's Mission speaks volumes:

"VoluptuArt has been created to bring you art that will inspire you to celebrate the fullness of your life! 

Our art and gift items portray bodies of all sizes, shapes, ethnicities, ages and genders. We strive to find images that 'embody' a sense of aliveness, self-love and body esteem. We've also chosen items that we hope will encourage you to stop, take a breath and remember what is important in your life and to be grateful for your amazing body!VoluptuArt is packed with: sculptures, jewelry, functional art, wall art, journals, cards, magnets, candles, t-shirts, Yay! Scales and more!"

They also invite visitors to let them know about artwork or artists they believe would be a good match for VoluptuArt. 

Some of my favorite artists have art work available on the web site: Shiloh Sophia McCloud, Mara Friedman, Anahata Katkin (PaPaYa), Krista Lynn Brown, Kristine Paton, K Robins Designs and SARK. It is a wonderful place to discover new artists too. 

Here are some of my favorite creations by Kristine Paton.  Many of her images are available on bookmarks too and she pairs each one with an empowering quote.  They make wonderful bonus gifts if you happen to be giving someone a book.

Red Boa
This image is called Red Boa.  The book mark has the following quote:

"To love oneself is the beginning of a lifelong romance." ~ Oscar Wilde












Flamenco
This image is called Flamenco.  The book mark has the following quote:

"Be Yourself  The world worships the original." ~ Ingrid Bergman
VoluptuArt has quirky and unusual one-of-a-kind items.  Take for example the YAY! 
Scale.  How would you feel if you stepped on the scale in the morning and it always gave you a compliment? "you're perfect", "you're gorgeous", "you're hot!" You'll never have another bad scale day with a Yay! Scale. Thanks to the principles of quantum physics - a Yay! Scale never lies! Conceived, designed, handmade, and signed by Marilyn Wann of Fat!So? fame.  Note this is the silver version, another version comes in purple sparkle and one even comes in a plush hot pink carpet.





There are also amazing sculptures to feast ones eyes on.  Here are some of my favorites. These two are by Shelley and Michael Buonaiuto called Gladys and Wind.
Wind
Gladys











Looking through the various themes can lead one to fun new discoveries as well.  Some of the themes include: Goddesses, Divas, Funseekers, Frida Kahlo, Woman of Valor, Relationships, Rumi, Bellies, Breast Health and Ahhs and Giggles.
Another treasure that I enjoyed discovering is this petite earring Goddess holder shown to the left.

If you visit the VoluptuArt you may also want to visit their Resource page. They list articles, poetry, films and link to other inspirational web sites.

If you visit and find something that strikes your fancy come back and share.

If you have some favorite web sites please share links here too.

Sunday, August 28, 2011

Mojo Monday ~ Gerda Lerner

In 2011 women in the USA may hear of the injustices and lack of rights of women in other countries and wonder how is this possible?  Our younger generations of women residing may take many things for granted that women in this country once had to fight for and in some cases even go to jail over. 

For example in 1769 American colonies based their laws on the English common law, which was summarized in the Blackstone Commentaries. It said, “By marriage, the husband and wife are one person in the law. The very being and legal existence of the woman is suspended during the marriage, or at least is incorporated into that of her husband under whose wing and protection she performs everything.”  

Once upon a time, women in this country, upon marrying, forfeited all their property to the ownership of their husband.  After the passing of the New York’s Married Women’s Property Act in 1848, which granted married women some control over their property and earnings, other states slowly followed suit.  

Some of these laws and events may seem like ancient history, however if one reads more about the history of women’s rights, it is shocking to learn what laws have have only been passed in recent years that protect women’s rights. I want to encourage every woman in the world to learn about the women in history who have made helped to make our world a better place for women.

This leads me to introduce you to Gerda Lerner, PhD who turned 91 years old on April 30th this year.  Gerda is the founder of women’s studies in the USA.  She was born Gerda Kronstein in Vienna, Austria on April 30, 1920, and was the first child of Ilona and Robert Kronstein, an affluent Jewish couple. Her father was a pharmacist, her mother an artist. 



Here is how Gerda describes some of her early years in her own writing:

“I was born a middle-class Jewish girl in Vienna in 1920.  My family always lived in a nest of security surrounded by the vast insecurity of a truncated former empire, repeatedly threatened by invasion and instability.  To be born and raised Jewish in a country in which Catholicism was the state religion and anti-Semitism was an honored political tradition meant, from early on, to be branded as different.  Jews were set apart, we were not ‘normal.’  Fascists and anti-Semites were organized in political parties and, in the years of my growing up, became more and more powerful.  Finally it was not a question of whether they would come to power, but when.”

“What of the life of the mind?  I received mixed messages in the family.  My father, a pharmacist, exemplified the virtues of scientific inquiry, of respect for verifiable truths and replicable experiments."

"My mother was a sort of feminist, heavily influenced by Ibsen, Scandinavian novelists, and French avante garde thinkers.  She was a self-defined Bohemian, rebelling against the bourgeois standards of propriety, advocating sexual freedom, and experimenting with all kinds of then novel practices, from vegetarianism to Yoga.  She was unhappy in her marriage and revolted against the traditional roles of housewife and mother.  She fashioned an alternate lifestyle for herself that scandalized her mother-in-law, with whom she lived in a constant state of warfare.  My mother was an artist and wanted to focus on that vocation, something she was not fully able to do until the years of emigration, when she was free of familial responsibilities.  She had a studio in the city, where she kept a kind of salon for young artists and writers.  Despite their marital difficulties, my father helped her artistic development in every way.”

Following the take over of Austria by the Nazis, she joined the anti-Nazi resistance, and spent six weeks, including her eighteenth birthday, in an Austrian jail. Her family was able to escape from Austria and persecution by the Nazis, but while they remained in Europe, Gerda with the help of a young man named Bobby Jensen, immigrated to the United States in 1939.  After working a series of jobs and marrying and divorcing Jensen, she met and married Carl Lerner, a young theater director. Gerda shares this about her life:
“At this time, when I look back on my life and my work, I see patterns and connections that were not so clearly visible at an earlier stage of my life.  The impact of outside political and social events that I experienced in childhood and as a teenager shaped my connection to history:  I was a victim of terror and persecution; my life was deeply affected by historical events.  As a witness to terrible events, I early learned that history matters.  On the other side, a childhood in which artistic creativity and expression were cherished and in which learning was considered not only a practical means of career building, but a means of finding equilibrium and meaning in life well equipped me for survival as a refuge.  The life of learning and thinking would always be connected for me with teaching others and with finding a way of applying what I knew to the problems in society.”

“Growing up under a fascist government as a young girl, I wanted to change the world.  Antifascism was real to me, a ray of hope in a hopeless environment – it meant democracy, free elections, equal rights for al citizens, freedom of thought.  During a short stay in a Nazi jail, from which at the time I had no hope of ever escaping, I learned from my cell mates that political action meant working with others.  Once could not survive alone.”

“Later, in America, as an unskilled immigrant worker, I learned firsthand what it meant to be poor and without a support network.  I had lived my childhood and adolescence in middle-class comfort; now I was on my own in a labor market in which women were restricted to only the most undesirable jobs.  I worked as a domestic, as an office worker, as a salesgirl, and, after a year of training, as a medical technician --- always at minimum wages and without job security.  During job searches and on the job I experienced discrimination against women –pervasive, sometimes subtle, often open.  At times it was mixed with other forms of discrimination.  I applied for a job as a switchboard operator at the New York Telephone company.  I never made it past the first interview.  ‘We don’t hire Jewish girls,’ she informed me.  ‘Why?’ ‘Their arms are too short to reach the switches.’ That was a new one…

Gerda and Carl Lerner had two children and remained married until his death in 1976.  It wasn’t until she had raised her children that she decided to go to college.  Here is how she describes the experience:

“In the Fall of ’63 I entered Columbia University.  I was forty-three years old; my daughter was in college and my son was in high-school.  My husband was busy with a successful career as a film-maker and teacher of film.  I had shopped around before selecting a graduate school in order to be allowed to do a biography of the Grimke sisters, the only Southern women to become agents and lecturers of the American Anti-Slavery Society, as my dissertation.  Columbia was the only place where the department chairman was willing to bend the institutional regulations so as to meet my needs.  The topic, on which I had already been working for four years, was approved for my dissertation, even before I had fulfilled my orals requirements.  Due to this flexibility, I was able to earn both the M.A. and Ph.D. degrees in three years from the time I entered, while also teaching part-time at the New School and for the final year at Long Island University in Brooklyn.”
 
“In a way, my three years of graduate study were the happiest years of my life.  It was the first time in my adult life I had time and space for thinking and learning.  Greedy for knowledge, the way only people who have long been denied an education can be, I gave up all recreation, social life, and other interests.  More than anything else I was driven by an urgency to learn what I needed to know in order to carry out a passionate ambition, which by then had take concrete shape in my mind.”

“During the interview at Columbia prior to my admission to the Ph.D. program, I was asked a standard question: Why did I take up the study of history?  Without hesitation, I replied that I wanted to put women into history.  No, I corrected myself, not put them into history, because they are already in it.  I want to complete the work begun by Mary Beard.  This announcement was, not surprisingly, greeted by astonishment.  Just what did I have in mind?  And anyway, what was Women’s History?  The question set me off into a lengthy explanation, on which I have played variations for the past forty years.  I ended in somewhat utopian fashion: ‘I want Women’s History to be legitimate, to be part of every curriculum on every level, and I want people to be able to take Ph.D.s in the subject and not have to say they are doing something else.”

“As if my age and unusual background did not sufficiently mark me as ‘different’ from other students, I set myself further apart with this little speech, as being opinionated and having grandiose ambitions.  But my real difficulty in graduate school was not so much style as substance – I could not accept the content of the curriculum, the worldview I was being taught.”

“In the twenty-five years since I had left school in Vienna, I had been an unskilled and later semi-skilled worker, a housewife, a mother, a community activist.  In all these roles I met an active group of women, who worked quietly and without public recognition, usually without pay and frequently without an awareness of the significance of the work they were doing.  Political organizations were influenced by their work, yet no one would ever know of their existence through the writings of historians or through the media.”

“Now, in one of the best graduate schools in the country I was presented with a history of the past in which women did not seem to exist, except for a few rulers or some who created disturbances.  What I was learning in graduate school did not so much leave out continents and their people, as had my Viennese education, as it left out half the human race, women.”

“I found it impossible to accept such a version of the past as truth.  I questioned it in seminars and in private discussions with faculty, and I was quickly made the target of ridicule by my teachers and classmates.  Had I been a young woman just out of college, I probably could not have withstood this social pressure.  Still, after a while, I made a place for myself and even won the respect of some of the faculty for my specialized knowledge.  I learned sometimes from my professors, often against them, and much by trail and error, but always I tested what I was learning against what I already knew form living.  What I brought as a person to history was inseparable from my intellectual approach to the subject; I never accepted the need for a separation of theory and practice.  My passionate commitment to Women’s History was grounded in my life.”

Lastly here are some of Gerda’s thoughts on the importance of recognizing women in history:

“In U.S. historiography, as in American popular culture, historians have tended to over-emphasize the role of the individual in history.  Great men are identified as founders and leaders; they become the virtual representatives of the movement: William Lloyd Garrison for abolition, Eugene Debs for the socialist movement, Martin Luther King Jr. for the civil rights movement.  In fact, no mass movement of any significance is carried forward by and dependent upon on leader, or one symbol.  There are always leaders of subgroups, of local and regional organizations, competing leaders representing differing viewpoints, an, of course, the ground troops of anonymous activists.  And, as can be shown in each of the above cases, emphasis on the ‘great man’ omits women, minorities, many of the actual agents of social change.  In so doing it gives a partial, an erroneous picture of how social change was actually achieved in the past and thereby fosters apathy and confusion about how social change can be made in the present.”

“When I undertook to study the past of women I did not know that I would have to learn more than several advanced academic degrees could encompass.  I would have to learn to think in opposition; to free myself from patriarchal thought and constrains; to learn to withstand ridicule, contempt, and obstinate resistance.”

Dr. Gerda Lerner on her 90th Birthday (April 2010)
Gerda Lerner has published a significant number of books.  Her first book was written in 1955.  The most recent publication was released in 2003. Her writings have continually recognized the importance of women in history. In 1981 Dr. Lerner became the first woman in fifty years to be elected president of the Organization of American Historians. Gerda Lerner has created a lasting legacy. We must be the ones to ensure that a women such as Dr. Gerda Lerner is not forgotten and that her name and contributions are recorded in history books of the future.

How do you think we can ensure that more people learn about women like Gerda Lerner?  

What are your thoughts about Gerda Lerner's life?

Did it surprise or shock you that Gerda Lerner met with resistance to developing women's studies and women's history courses at the university level?

Some of Gerda Lerner's Professional Accomplishments:

Musical

  • Singing of Women (1951, with Eve Merriam)

Screenplays

  • Prayer Pilgrimage for Freedom (1957)
  • Black Like Me (1964)
  • Home for Easter (n.d.)

Books

  • No Farewell (1955) an autobiographical novel
  • The Grimké Sisters from South Carolina: Rebels against Authority (1967)
  • The Woman in American History [ed.] (1971)
  • Black Women in White America: A Documentary History (1972)
  • The Female Experience: An American Documentary (1976)
  • A Death of One's Own (1978/2006)
  • The Majority Finds Its Past: Placing Women in History (1979)
  • Teaching Women's History (1981)
  • Women's Diaries of the Westward Journey (1982)
  • The Creation of Patriarchy (1986)
  • Why History Matters (1997)
  • The Creation of Feminist Consciousness (1993)
  • Scholarship in Women's History Rediscovered & New (1994)
  • Fireweed: A Political Autobiography (2003)










Here is a video of Gerda Lerner, PhD being interviewed:



    Sunday, August 21, 2011

    Mojo Monday ~ Forgiveness


    The dictionary defines forgiveness as the process of concluding resentment, indignation or anger as a result of a perceived offense, difference or mistake, and/or ceasing to demand punishment or restitution. 

    Author Don Miguel Ruiz wrote The Four Agreements, The Fifth Agreement, The Mastery of Love and The Voice of Knowledge.  One of Don Miguel Ruiz's thoughts on forgiveness is featured in the image above.  The art and writing is from one of the cards from his Mastery of Love deck.  One of his other quotes about forgiveness is as follows: 

    The supreme act of forgiveness is when
    you can forgive yourself for 
    all the wounds you've created in your own life.
    Forgiveness is an act of self-love.
    When you forgive yourself, 
    self-acceptance begins and self-love grows. 

    Ruiz was even recognized by an organization called The Worldwide Forgiveness Alliance.  Many of his training courses incorporate the act of forgiveness as one of the tools that teach people how to overcome their destructive behaviors and move to higher, more effective levels of consciousness.  

    You can learn more about the inspiring Worldwide Forgiveness Alliance and their brilliant mission by visiting this web site:  http://www.forgivenessalliance.org/aboutus.html

    Ann Frank is another individual who exhibited an amazing ability to forgive and perhaps see a bigger picture.  This excerpt from her diary is especially inspiring:
      It’s a wonder I haven’t abandoned all my ideals, they seem so absurd and impractical. Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart. It’s utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness, I hear the approaching thunder that, one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too shall end, that peace and tranquility will return once more. 

    Another organization that is doing amazing work regarding forgiveness is The Forgiveness ProjectFounder Marina Cantacuzino shares that "Forgiveness is an inspiring, complex, exasperating subject, which provokes strong feeling in just about everyone. Having spent all of 2003 collecting stories of reconciliation and forgiveness for an exhibition of words and images which I created with the photographer, Brian Moody, I began to see that for many people forgiveness is no soft option, but  rather the ultimate revenge. For many it is a liberating route out of victimhood; a choice, a process, the final victory over those who have done you harm. As Mariane Pearl, the wife of murdered journalist Daniel Pearl, said of her husband’s killers, 'The only way to oppose them is by demonstrating the strength that they think they have taken from you.'"

    The exhibition tells some extraordinary stories – stories of victims who have become friends with perpetrators, murderers who have turned their mind to peace building.  I read in awe the story about Linda and Peter Biehl and how they found it within their hearts to forgive and befriend the young men who murdered their daughter Amy, an American Fulbright scholar working in South Africa against apartheid.  They started a foundation in their daughter's name and two of the young men even went to work for the foundation.  Linda shares how she came to "believe passionately in restorative justice. It’s what Desmond Tutu calls ‘ubuntu’: to choose to forgive rather than demand retribution, a belief that “my humanity is inextricably caught up in yours.”


    Within our lifetimes we will all need to ask for forgiveness or find it within ourselves to forgive another.  Sometimes you forgive people simply because you still want them in your life.
     
    Consider creating an art piece about forgiveness and what it means to you.   

    Here is a beautiful rendition I found on-line by a woman named Ramona.  She combined a Scrap Therapy Layout on Self-forgiveness with a Hopes for the New Year Layout and created a beautiful journaling art piece.  Here is the journaling excerpt from the image: 

    For this new year, I would like to be free.   Free from feeling bad or obsessing about when the next time the blackness will come.  Free from feeling like I am never good enough. Not smart enough, thin enough, nice enough, whatever enough. I would like to be free from feeling like a bad mother when I am simply too tired to cook, or clean, or check homework.   I want to honor the light within me that longs to shine brightly.  For the whole world to see that I am good enough.  Simply because I am me.  To do this, I need to begin to practice forgiveness, and change my internal dialogue.  To a dialogue of love, light truth and peace.

    What are your thoughts about forgiveness?

    Do you have any stories of forgiveness to share?  

    If you create an art piece or write a poem about forgiveness please share it.

    To the right is a simple art piece I did for forgiveness.








    Looking for more inspiration regarding forgiveness?  Here is a video on the subject.